The use of umber tones can enhance shadowing.

For example, look at the rocks in the picture to the left; The row on the right side of the stream which recedes into the trees. The shadows change as the row disappears into the woods

Look at the enlargements below:

This begs the question: At what point does Coggeshall begin to change this painting's style from realism to impressionism. t

Both styles are so well woven together. This blending of technique works well on large works such as this piece.

Attention to such detail is a hallmark of Coggeshall's artistry.

It is usually the last step that I do to water after having already laid in all of the reflective movement and color from the surrounding environment.

I like to use a lot of raw umber tones in the shadows of the stones near the water's edge. This deep color allows the viewer to peer deeply into the art and see the depths. I try to avoid using black at all costs. It has a dead feeling and tends to wipe out all subtitles that remain within the art.

Douglas A.Coggeshall

This work is featured in the September, 2002 issue of Decorate With Paint magazine. Click here to view.